Heart of the City
Urban Stages, Spring 2009
Polaroid Stories 
Studio Theatre Secondstage, Summer 2003
Scaramouche, 
Washington Shakespeare Company, Fall 2003
Four 
Studio Theatre Secondstage, Winter 2003-04
Top Ten Young Actors to Watch 
Washington Post Summer 2004
Alice
The John F Kennedy Center, Winter 2005
The Light of Excalibur
The John F Kennedy Center, Winter 2004
Autobahn
Studio Theatre Secondstage, Spring 2006
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shkspr prjct
Catalyst Theatre, Summer 2005
Candida
Everyman Theatre, Summer 2006
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Macbeth
Two River Theatre/Folger Theatre, Winter-Spring 2008
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Filthy Rich
Everyman Theatre, Fall 2008
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The highlight for me was the incredibly hard scene in England, in which Macduff goes to visit the murdered king’s son Malcolm, asking for his help. Malcolm suspects Macduff may be in league with Macbeth and tests his integrity by claiming to have every vice on earth. Macduff is disgusted, and that proves to Malcolm that Macduff is on the level. They join forces and resolve to return to Scotland and rout Macbeth.

Well, the young fellow playing Malcolm, Scott Kerns, absolutely killed. He had an effortless bad-boy quality, hitting perfectly on all the sex stuff, and letting the humor shine through with absolutely no effort.

'Macbeth' Enjoys Aggressive, Effective Workout With 'shkspr prjct'

...the result is a free-form piece that turns actors into sculptural modern dancers and boils down the play to some of its fiercer elements.

Scott Kerns' Macbeth, for instance, defines his portrayal by a repeated thrusting of his arm -- he's Macbeth as a man of the dagger.

It Pays to Advertise
Metropolitan Playhouse, Spring 2009
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Backstage

By ANDY WEBSTER

By MARK PEIKERT

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Loaded
Theatre Row, Winter 2009-2010

Backstage

By Erik Haagensen

Theatermania.com

Spirtas and Kerns both tear into their characters' rhetoric with vigor and conviction

By Andy Propst

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The Innocents
Asolo Rep, Spring 2011
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